Hannah Georgas is a Canadian songwriter with a gently quirky style that navigates the spaces between melancholy indie rock and brighter, anthemic alternative pop. After her debut EP in 2009, Hannah released five full-length albums to acclaim in outlets at home and abroad including The Guardian, The New York Times, Pitchfork and NPR Music.
Her efforts cut paths leading to multiple Juno and Polaris Award nominations, #1 song’s in Canada, Top 20 charts in US College Radio and an album collaboration with friend and producer Aaron Dessner (The National, Taylor Swift, Sharon Van Etten). Alongside each of these releases, Hannah toured extensively worldwide, performing with the likes of The National, Sara Barielles, Broken Social Scene, Emily King, Boy and Bear, Mother Mother and more.
Rolling Stone describes her latest self-produced album I’d Be Lying if I Said I Didn’t Care as “impressive and earnest songwriting” while AllMusic says it “stands as her best to this point in her career”
Opener: Bells Larsen
How can we forge new forms of coming home to ourselves? On his sophomore album Blurring Time (2025), Bells Larsen collapses time into a series of patient ceremonies. Guided by the earned satisfaction of simply “being” as a political act, the record is inspired by the many ways we write the ever-arriving self into existence. Oscillating between spacious lo-fi 90s indie, and searing folk ballads, his newest project welcomes into the room the haunting accompaniment of the voice frozen and suspended in time. Designed to align with the timeline of his transition, he intentionally recorded his previous “high” voice and instrumentation in 2022, waited for his voice to drop after beginning testosterone, then asked frequent collaborator and longtime friend, Georgia Harmer to write vocal arrangements for his new “low” voice, helping him harmonize with his past self — an intentional, multilingual act of surrendering to change. While on previous projects, Larsen set his vocals in the backdrop of the music, on Blurring Time he unites and positions both voices at the forefront to deliver a bold, unyielding devotional.
Hannah Georgas is a Canadian songwriter with a gently quirky style that navigates the spaces between melancholy indie rock and brighter, anthemic alternative pop. After her debut EP in 2009, Hannah released five full-length albums to acclaim in outlets at home and abroad including The Guardian, The New York Times, Pitchfork and NPR Music.
Her efforts cut paths leading to multiple Juno and Polaris Award nominations, #1 song’s in Canada, Top 20 charts in US College Radio and an album collaboration with friend and producer Aaron Dessner (The National, Taylor Swift, Sharon Van Etten). Alongside each of these releases, Hannah toured extensively worldwide, performing with the likes of The National, Sara Barielles, Broken Social Scene, Emily King, Boy and Bear, Mother Mother and more.
Rolling Stone describes her latest self-produced album I’d Be Lying if I Said I Didn’t Care as “impressive and earnest songwriting” while AllMusic says it “stands as her best to this point in her career”
Opener: Bells Larsen
How can we forge new forms of coming home to ourselves? On his sophomore album Blurring Time (2025), Bells Larsen collapses time into a series of patient ceremonies. Guided by the earned satisfaction of simply “being” as a political act, the record is inspired by the many ways we write the ever-arriving self into existence. Oscillating between spacious lo-fi 90s indie, and searing folk ballads, his newest project welcomes into the room the haunting accompaniment of the voice frozen and suspended in time. Designed to align with the timeline of his transition, he intentionally recorded his previous “high” voice and instrumentation in 2022, waited for his voice to drop after beginning testosterone, then asked frequent collaborator and longtime friend, Georgia Harmer to write vocal arrangements for his new “low” voice, helping him harmonize with his past self — an intentional, multilingual act of surrendering to change. While on previous projects, Larsen set his vocals in the backdrop of the music, on Blurring Time he unites and positions both voices at the forefront to deliver a bold, unyielding devotional.
TICKET OPTIONS
General Admission Seating is first come, first served in this section. We ask that you please do not save seats for individuals who have not yet arrived. Our goal is to create an enjoyable and comfortable experience for all attendees.
Reserved Seating
We are excited to offer Reserved Seating for this event. Please note that our tables at the Sergeants Mess Hall are arranged as tables of four. If you purchase less than four tickets, you will be seated with other attendees at a small cabaret style table. We hope this seating arrangement will provide a fun and sociable experience for everyone.
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